| MIXING CONSOLE: |
RECORDING DEVICES: Upon request * |
MICROPHONES: Upon request * |
| NEVE 8058, with 48 Automated faders |
2 PRO TOOLS HD3 w Apple G5 |
4 AKG 452 (4-CK1 /2-CK2) |
| 48TK Monitor , 112 Mic. pre Total |
12 APOGEE AD16X Converter (96 I/O for each ProTools) |
2 AKG C409 |
| 48 NEVE 31102 Mic. preamp/Equalizers, |
6 APOGEE DA16X Converter (PT1-64 I/O • PT2-32 I/O ) |
2 AKG 414E-ULS |
| 16 Buss outputs, 16 Buss insert, |
2 APOGEE BIG BEN Master Clock for each ProTools |
2 AKG 414EB (Matched pair) |
| 48 Pre fader insert, 48 Direct outputs, |
1 APOGEE PSX-100-SE Stereo Converter |
2 AKG C460B (CK61-ULS) |
| Tracks 1 thru 24, In line monitors |
4 HHB 850 + CDR Recorder |
2 AKG D12 |
| with flip faders and 8 Aux. send, |
2 STUDER A800 24 TK * |
2 AKG D112 |
| tracks 25 thru 48 custom monitors section |
2 STUDER D827 Digital 48TK * |
1 SHURE SM7 |
| with 6 Aux. send. Solo and mute. |
|
1 NUENDO w PC Audio Labs with dual-core AMD * |
2 SHURE SM81 |
| Automation FLYING FADERS V3.0 |
|
7 SHURE SM57 |
| 1 GRACE 801 (8 channel) |
|
2 SHURE SM58 |
| 1 YAMAHA M406 (6 channel) |
1 EVERTZ SMPTE Reader/Generator |
2 BEYER M88 |
| 10 NEVE VR Mic. preamp/Dyn. & EQ. |
1 GRASS VALLEY SCB-200N Sync Generator |
2 BEYER M160 |
| 5 MILLENNIA HDV3D (40 channel) |
1 BRAINSTORM SR15 Distripalyser |
6 BEYER TG-X80 |
|
|
4 AUDIO TECHNICA AE 5400 |
|
MAIN MONITOR: TRI-AMP System |
4 AUDIO TECHNICA Wireless AEW-T5400 |
| OUTBOARD EQUIPMENT: |
2 JBL 2235H 15 Low |
2 ROYER R121 |
| 1 GML 8200 Stereo parametric equalizer |
2 JBL 2450J Mid-range driver |
3 COUNTRYMAN ISOMAX 11.0 |
| 1 HELIOS Stereo parametric equalizer |
2 JBL 2204 Tweeter driver |
1 SONY ECM30 |
| 1 DOLBY Spectral processor equalizer |
1 UREI 521 Crossover (modified |
1 SONY ECM50 |
| 8 C/GRAY Telescopic equalizer |
1 BRYSTON Power Pac 300 SST Amplifier (low) |
2 SONY C74 |
| 1 AMS RMX16 Digital reverb |
|
1 BRYSTON Power Pac 120 SST Amplifier (mid) |
8 SENNHEISER 421 |
| 1 YAHAMA REV 7 Digital reverb |
1 BRYSTON Power Pac 60 Amplifier (high) |
6 SENNHEISER 409 |
| 1 YAMAHA SPX90 II Multi-efx |
2 UREI 529 Equalizer (modified) |
2 SENNHEISER 441 |
| 2 YAMAHA REV 1 Digital reverb |
|
2 SENNHEISER MKH416 |
| 1 EVENTIDE H3000 SE/BE Multi-efx |
NEAR FIELD MONITOR: |
2 SENNHEISER MKH816 |
| 1 EVENTIDE H910 Harmonizer |
2 GENELEC 1031A |
2 CROWN PZM30 |
| 2 ROLAND SDE3000 DDL/Sampler |
2 YAMAHA NS10 (Upon request) |
1 EV RE20 |
| 1 LEXICON 200 Digital reverb |
2 JBL LSR 6328P (Upon request) |
2 NEUMANN KM130 |
| 1 LEXICON PCM 70 |
|
2 NEUMANN KM184 |
| 1 LEXICON 960 L Digital reverb |
1 YAMAHA P2100 Amp. |
3 NEUMANN KM84 |
| 2 TC 2290 DDL/Sampler |
|
4 SENNHEISER MKH80 |
| 1 TC M5000 Digital audio/multi-efx |
COMMUNICATION SYSTEM: |
4 SENNHEISER MKH40 |
| 1 TC Intonator |
1 RTS & CLEARCOM 2 channel interface |
2 SENNHEISER MKH20 |
| 1 DBX 120 Sub-harmonic Synthesizer |
1 RTS MCE 325/PS8 User station |
6 AKG 391 |
|
3 RTS 2100/2110 Wireless station |
4 AKG 414EB Vintage |
| LIMITER/COMPRESSOR: |
1 RTS SPK 300 Speaker station |
4 NEUMANN TLM170R |
| 4 NEVE 32264A Compressor / Limiter |
|
2 NEUMANN TLM103 Matched pair |
| 14 DBX 160 Compressor |
VIDEO: |
2 YAMAHIKO Piano Pickup System CPS-PF1 |
| 8 DYNAMITE Expander/gate |
1 RGB Pencil Color camera |
26 AUDIO TECHNICA ATM35 CLIP-ON * |
| 1 TC Finalizer 96K |
1 SONY CCD Wide angle lens color camera |
1 SCHOEPS/SKS-50IU Stereo * |
| 4 UREI 1176LN Compressor |
1 BOLAND HSDI 17" Flat screen Color monitor |
2 NEUMANN M149 * |
| 2 UREI LA3A Compressor / Limiter |
1 BOLAND SD 8" Flat screen Color monitor |
2 NEUMANN U47 Fet * |
| 1 UREI LA2A Compressor / Limiter |
1 PANASONIC DT-2700MS 27" Monitor |
5 NEUMANN U87 * |
| 1 MILLENNIA TCL-2 Twincom |
1 LITEON DVD Recorder |
|
|
|
MULTICABLES: |
| CUE SYSTEM (foldback): |
DIRECT BOXES: |
2 Audio multi-cables, 64 pair each |
| 7 SONY MDR-V6 Stereo Headphones |
2 DEMETER Tubes Direct VTDB2 |
for a total of 128 microphones inputs |
| 1 CROWN D75 with a built-in |
3 L&L Audio FET Direct boxes |
2 splitter box, 2 ways transformer plus |
| mixer which allows the performer |
6 DEAN JENSEN Direct boxes |
direct outputs, ground lift switch. |
| to adjust his headphone level, add &pan |
|
1 DEAN JENSEN Direct boxes 4 in |
2 Additional multi-cables, 50 pairs each |
| his own instrument to the original feed |
|
1 High level multi-cable for video, com, |
|
|
cue/foldback, tie lines, SMPTE feed.
|
