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Le Fly_pak for recording the soundtrack for the movie Lincoln
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Preparing the Fly-pak system at the office for Dreamworks
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Steven Spielberg, Guy and Ian Charbonneau in Chicago
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" It Might Get Loud " recording project at WB soundstage | ||||||||||||||||||||||||||||||
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Jack White
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Jimmy Paige
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The Edge
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Gwen Stefani "Harajuku Lovers Live DVD"
Recorded, Produced and Engineered by Guy Charbonneau Mixed in 5.1 surround |
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Gwen Stefani listening to her performance for the AOL Session promoting her new record "Love Angel Music Baby"
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Mixing Linkin Park Performance, Mike Shinoda & Guy
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David Foster, Humberto Gatica and Michael Bublé
in Le Mobile after the rehearsal for the upcoming PBS Special and DVD release at The Wiltern Theatre |
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48Tk Analog as used with Dolby A during Roger Waters recording in Vancouver & Calgary 2007
James Guthrie & Guy looking at theses great recorders The Studer A800 Analog |
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Remote Recording Services and Le Mobile behind the stage at Crossroads Guitar Festival in 2007-2010.
In 2007 Ed Cherney and in 2010 Elliot Scheiner engineered in Remote Recording Services, 2007 and 2010 Guy Charbonneau engineered the recording in Le Mobile. Guy mixed 13 tracks on 2007 DVD and 16 tracks for the 2010 DVD |
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2008 Emmy Award, SPECIAL CLASS PROGRAM -WINNER “Eric Clapton Crossroads Guitar Festival Chicago” (Great Performances) - (PBS)
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| DVD Recorded at The Wiltern and Mixed at Le Mobile , The Pretenders Loose in L.A. | |||||||||
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| Nominated at the third annual Surround 2004 music awards for Best Concert Video | |||||||||
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If you want to see why Guitar Player selected Chrissie Hynde as a Tele titan in its May ’98 issue, just watch her drive the band in this exquisitely filmed DVD. Although her rhythm doesn’t roar out of the box, or push the players from the top, it sits deep in the mix and adds that indefinable essence of punch and groove to the Pretenders. Take it out, and the band simply wouldn’t hit as hard. It’s a lesson in the power of subtle command
.This set spotlights a band that still knows how to rockalbeit with the tightness and control of veteran musicians. (Guitarist Adam Seymour is a cagey player who does cool and interesting things without ever overwhelming the singer or the song.) The surround mix is exciting and multi-dimensional, and it sets a standard I wish most concert DVD mixers would follow. The crowd noise in the rear speakers actually sounds as if it was recorded from the back of the hall (rather than a ?front? perspective simply mixed to the rear), which truly puts the listener in the center of the auditorium. Then, the ambient mix is EQ’d to bring out the sharp timbres of the guitars, cymbals, and vocalsyou actually hear the sounds decay and snap in the back of the room. Crank everything up, and it really seems as if you’re at L.A.’s Wiltern Theatre grooving to the band. Extras include some backstage footage and interviews, but the concert itself is the real draw here. Artemis/Eagle Rock Michael Molenda |
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In Clint Holmes DVD and CD Mixing
September 2000, I-MAG-HD Video Productions recorded Clint Holmes on High Definition Video and hired Guy and Le Mobile to record the audio for a future DVD and CD release. After the recording, Guy was asked if he was available for mixing. Guy not only brought his knowledge and expertise for sound, he brought Le Mobile back to Harrahs allowing Clint and Bill Fayne (Clint's musical director and friend) to continue their nightly performances and be involved in the mixing process. The project was originally recorded on Le Mobile's Studer digital 48tk and mixed for DVD surround to ProTools 24 bits using Apogee AD8000-SE Converter. The CD was mixed 24 bits on Tascam DA88, the Apogee PSX-100-SE Converter allowed the bits splitting. |
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| After mixing in 2.0 and 5.1 Guy went to Gateway Mastering for Bob Ludwig to add the final touches to the project | ![]() |
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Herbie Hancock, Guy and Khaliq Grover during the recording of a DVD "Live at Knitting Factory" from the Future 2 Future tour.
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Geoff Emerick and Guy Charbonneau taking a photo break during the Paul McCartney Live recording for the PETA 2000 Project
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"The Contender" Film Scoring
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Armin Steiner engineering and Charlie Bouis chief engineer with Le Mobile was on hand during the recording for "The Contender" in Seattle.
The score was written and conducted by Larry Groupe. |
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Ted Barela was on hand for the setup and during the recording.
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