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"All Access" is more than an extraordinary musical event that crosses cultures, genres and generations to explore some of the most innovative, explosive and life-affirming music this side of the new millennium. It is also an unforgettable opportunity to share the intimate thoughts, feelings and visions of today's most talented musical performers, a journey straight into the heart of rock and roll. Get ready to experience it all... You are free to go everywhere.
You have a coveted "All Access" Backstage Pass.
Guy was hired for his expertise recording live concerts. He engineered the performances of George Clinton & Parliament, Funkadelic and Mary J. Blige, Kid Rock, B.B. King, Trey Anastasio and The Roots, Macy Gray, Carlos Santana with Rob Thomas and Moby using Le Mobiles vintage Neve Console 8058, in combination with his Studer D827 48-Track Digital Recorder.
Le Mobile's Crew setup over 30 ambient microphones around the Grand Olympic Auditorium using Grace remote mic. preamp. The ambience was recorded on Tascam DA88. We wanted to give the audience an "All Access" pass to these unbelievable performances taking them backstage.
Elliot Scheiner was brought to mix the music for the entire project, Mark Wright at CBC Toronto for the film mix.
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Best Soundtrack Award 2001
Presented to Guy Charbonneau in honor of his contribution in making the IMAX Film
"All Access; Front Row, Backstage Live!"
Winner of the Giant Screen Theatre Association's
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Clint Holmes DVD & CD Mixing |
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In September 2000, I-MAG-HD Video Productions recorded Clint Holmes on High Definition Video and hired Guy and Le Mobile to record the audio for a future DVD and CD release. After the recording, Guy was asked if he was available for mixing. Guy not only brought his knowledge and expertise for sound, he brought Le Mobile back to Harrahs allowing Clint and Bill Fayne (Clint's musical director and friend) to continue their nightly performances and be involved in the mixing process.
The project was originally recorded on Le Mobile's Studer digital 48tk and mixed for DVD surround to ProTools 24 bits using Apogee AD8000-SE Converter. The CD was mixed 24 bits on Tascam DA88, the Apogee PSX-100-SE Converter allowed the bits splitting.
Guy set up an additional surround monitor system in Clint's dressing room. Thanks to JBL Pro for supplying their Surround Speaker System.
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After the recording, mixing and editing in Le Mobile, with Charlie Bouis as the master of editing on ProTools, Guy went to Gateway Mastering for Bob Ludwig to add the final touches to the project |
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Herbie Hancock, Guy and Khaliq Grover during the recording of a DVD "Live at Knitting Factory" from the Future 2 Future tour.
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Geoff Emerick and Guy Charbonneau taking a photo break during the Paul McCartney Live recording for the PETA 2000 Project
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52nd Annual Creative Arts Emmy Awards
The Academy of Television Arts and Sciences Awards Guy Charbonneau for Outstanding Sound Mixing for a Variety or Music Series Special, "Cher: Live in Concert From the MGM Grand in Las Vegas"
Pasadena, California, Saturday, August 26, 2000: Guy Charbonneau was awarded an Emmy at the 52nd Annual Creative Arts Emmy Awards. Guys long and prestigious career has brought him numerous industry music awards and worldwide recognition for his live remote recordings, production, mixing and his world class Le Mobile facility. He has now been acknowledged in the television industry. Over the years, he has developed an unsurpassed style that allows the ambience of a live show to be recorded to tape, without having to re-create it later in a studio.
Guy recorded the live broadcast using Le Mobiles vintage Neve Console 8058, in combination with his Studer D827 48-Track Digital Recorder. The outputs of Guys 48 track mix was fed to the NMT Video Truck, where Chris Lord-Alge, assisted by Don Worsham did the live 2 track on air mix. Guy won the award along with Chris Lord-Alge, Don Worsham and Bob La Masney, as a team for the live HBO Television Broadcast of "Cher: Live at the MGM Grand in Las Vegas." |
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"The Contender" Film Scoring |
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Armin Steiner engineering the score for "The Contender" in Seattle.
Ted, Le Mobile's chief technician, was on hand during the recording.
The score was written and conducted by Larry Groupe. |
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